International Writers Association Celebrates Chinua Achebe’s 93 Posthumous Birthday

INTERNATIONAL WRITERS ASSOCIATION CELEBRATES CHINUA ACHEBE’S 93 POSTHUMOUS BIRTHDAY

 

The International Writers Association (IWA) has joined the global literary community in commemorating the 93rd posthumous birthday of the esteemed Nigerian novelist, poet, and critic, Prof. Chinua Achebe.

On this special occasion, the President of IWA, Wole Adedoyin, released a statement expressing the association's profound admiration and appreciation for the indelible mark left by Achebe on the world literary landscape.

Chinua Achebe, born Albert Chinụalụmọgụ Achebe on 16 November 1930, and who passed away on 21 March 2013, holds a pivotal place in modern African literature. His groundbreaking debut novel and magnum opus, "Things Fall Apart" (1958), remains the most widely studied, translated, and read African novel, solidifying Achebe's legacy as a literary icon. The trilogy comprising "Things Fall Apart," "No Longer at Ease" (1960), and "Arrow of God" (1964) continues to shape discussions on African identity, culture, and history.

While the IWA, in consideration of prevailing circumstances, has not organized a physical event to mark this momentous day, the association encouraged Chinua Achebe's ardent lovers, fans, and readers worldwide to celebrate his life and literary contributions in a unique way – by delving into the pages of his timeless works.

Achebe's impact transcends borders and generations, earning him the moniker "father of African literature" in the West, a title he passionately rejected. His literary repertoire expanded with influential novels like "A Man of the People" (1966) and "Anthills of the Savannah" (1987), solidifying his standing as a literary giant whose words continue to resonate.

The International Writers Association (IWA) expressed, "Chinua Achebe's literary brilliance and commitment to portraying the richness of African culture have left an enduring legacy. As we celebrate his 93rd posthumous birthday, let us reflect on the profound influence he has had on literature globally. In the absence of a physical gathering, we encourage individuals to engage with Achebe's works, fostering a deeper appreciation for the art that transcends time and borders."

The International Writers Association remains committed to preserving and promoting literary excellence, recognizing Chinua Achebe's enduring impact as an inspiration for future generations of writers.

For more information about IWA, visit www.internationalwritersassociationonline.blogspot.com. For inquiries, please email internationalwritersassociatio@gmail.com.

 

Complete Works Of Chinua Achebe

 

COMPLETE WORKS OF CHINUA ACHEBE

 

Today marks the 93rd anniversary of the late Professor Chinua Achebe. Provided here are his entire body of work, courtesy of the International Writers Association (IWA). For more information about IWA, visit www.internationalwritersassociationonline.blogspot.com. For inquiries, please email internationalwritersassociatio@gmail.com.

NOVELS

• Achebe, Chinua (1958). Things Fall Apart. London: Heinemann. New York: Astor-Honor, 1959.
• —— (1960). No Longer at Ease. London: Heinemann. New York: Obolensky, 1961.
• —— (1964). Arrow of God. London: Heinemann. New York: John Day, 1967.
• —— (1966). A Man of the People. London: Heinemann. New York: John Day, 1966.
• —— (1987). Anthills of the Savannah. London: Heinemann. New York: Anchor Press/Doubleday, 1987

SHORT STORIES

• Achebe, Chinua (1951). "In a Village Church"
• —— (1952a). "The Old Order in Conflict with the New". University Herald. (Revised as Achebe 1962b and Achebe 1972b)
• —— (1953). "Dead Men's Path". (Republished in Achebe 1962a)
• —— (1960). "Chike's School Days". Rotarian. 96 (4): 19–20.
• —— (1962a). The Sacrificial Egg and Other Stories. Onitsha: Etudo Ltd.
• —— (1962b). "Beginning of the End". The Sacrificial Egg and Other Stories. (A revision of Achebe 1952a; revised in Achebe 1972b)
• —— (1965). The Voter.
• —— (1971). "Civil Peace". Okike. 2.
• —— (1972). "Sugar Baby". Okike. 3: 8–16.
• —— (1972a). Girls at War and Other Stories. London: Heinemann. Garden City: Doubleday, 1973.
• —— (1972b). "Marriage Is a Private Affair". Girls at War and Other Stories. (A revision of Achebe 1962b and Achebe 1972b)
• —— (1972c). "Vengeful Creditor". Girls at War and Other Stories.
• ——; Innes, C. L., eds. (1985). African Short Stories: Twenty Stories from Across the Continent. Portsmouth: Heinemann.
• ——; Innes, C. L., eds. (1992). The Heineman Book of Contemporary African Short Stories. Portsmouth: Heinemann.

POETRY

• Achebe, Chinua (1951–1952). "There was a Young Man in Our Hall". University Herald. 4 (3): 19.
• —— (1971). Beware Soul Brother and Other Poems. Enugu: Nwankwo-Ifejika. London: Heinemann, 1972.
• —— (1973). Christmas in Biafra and Other Poems. Garden City: Doubleday.
• —— (1973). "Flying". Okike. 4: 47–48.
• —— (1974). "The Old Man and the Census". Okike. 6: 41–42.
• ——; Okafor, Dubem, eds. (1978). Don't Let Him Die: An Anthology of Memorial Poems for Christopher Okigbo. Enugu: Fourth Dimension Publishers.
• ——; Lyons, Robert (1998). Another Africa. New York: Anchor Books.
• —— (2004). Collected Poems. London: Penguin Books.

ESSAYS, CRITICISM AND ARTICLES

• Achebe, Chinua (21 February 1951). "Philosophy". The Bug: 5.
• —— (1951). "An Argument Against the Existence of Faculties". University Herald. 4 (1): 12–13.
• —— (1951–1952). "Editorial". University Herald. 4 (3): 5.
• —— (1952). "Editorial". University Herald. 5 (1): 5.
• —— (29 November 1952). "Mr. Okafor Versus Arts Students". The Bug: 3.
• —— (29 November 1952). "Hiawatha". The Bug: 3.
• —— (January 1958). "Eminent Nigerians of the 19th Century". Radio Times. p. 3.
• —— (January 1959). "Listening in the East". Radio Times. p. 17.
• —— (6 May 1961). "Two West African Library Journals". The Service. p. 15.
• —— (23–29 July 1961). "Amos Tutuola". Radio Times. p. 2.
• —— (7 July 1962). "Writers' Conference: A Milestone in Africa's Profress". Daily Times. p. 7.
• —— (15 July 1962). "Conference of African Writers". Radio Times. p. 6.
• —— (1962). "Introduction" to King, Delphine (1962). Dreams of Twilight: A Book of Poems. Apapa: Nigerian National Press. p. 5.
• —— (December 1962). "Review of Christopher Okigbo's Heavensgate". Spear: 41.
• —— (January 1963). "Review of Jean-Joseph Rabearivelo's Twenty-Four Poems". Spear: 41.
• —— (June 1963). "A Look at West African Writing". Spear: 26.
• —— (1963). "Voice of Nigeria–How it Began". Voice of Nigeria. 1 (1): 5–6.
• —— (December 1963). "Are We Men of Two Worlds?". Spear: 13.
• —— (1963). "On Janheinz Jahn and Ezekiel Mphahlele". Transition. 8: 9. doi:10.2307/2934524. JSTOR 2934524.
• —— (1964). "The Role of the Writer in a New Nation". Nigerian Libraries. 1 (3): 113–119. Nigeria Magazine. 81: 157–160.
• —— (1964). "Foreword". In Whiteley, W. H. (ed.). A Selection of African Prose. Oxford: Clarendon Press. pp. vii–x.
• —— (1965). "English and the African Writer". Transition. Indiana University Press (18): 27–30. doi:10.2307/2934835. ISSN 0041-1191. JSTOR 2934835.
• —— (1966). "The Black Writer's Burden". Présence Africaine. 31 (59): 135–140.
• —— (1971). "Editorial". Nsukkascope. 1: 1–4.
• —— (1971). "Editorial". Nsukkascope. 2: 1–5.
• —— (1971). "Editorial". Nsukkascope. 3: 4–5.
• —— (1962). "Introduction" to Awoonor, Kofi. This Earth, My Brother... Garden City: Doubleday. pp. vii–xii.
• —— (1962). "Introduction" to Kgositsile, Keorapetse (1975). Places and Bloodstains [Notes for Ipeleng]. Oakland: Achebe Publications. p. 7.
• —— (1975). "An Image of Africa: Racism in Conrad's Heart of Darkness". The Chancellor's Lecture Series. Amherst: University of Massachusetts Amherst: 31–43. also in Hopes and Impediments
• —— (1975). Morning Yet on Creation Day: Essays. London: Heinemann.
• —— (1983). The Trouble With Nigeria. Enugu: Fourth Dimension Publishers. London: Heinemann, 1984.
• —— (1988). Hopes and Impediments: Selected Essays. London: Heinemann
• —— (2000). Home and Exile. New York: Oxford University Press.
• —— (2009). The Education of a British-Protected Child. London: Penguin Classics.
• —— (2012). There Was A Country: A Personal History of Biafra. London: Penguin Classics.
• —— (2018). Africa's Tarnished Name. London: Penguin Classics.

CHILDREN'S BOOKS

• Achebe, Chinua (1966). Chike and the River. Cambridge: Cambridge University Press.
• ——; Iroaganachi, John (1972). How the Leopard Got His Claws. Enugu: Nwamife. New York: Third World Press, 1973.
• —— (1977). The Drum. Enugu: Fourth Dimension Publishers.
• —— (1977). The Flute. Enugu: Fourth Dimension Publishers.

 

International Writers Association Commences Operations

 

INTERNATIONAL WRITERS ASSOCIATION COMMENCES OPERATIONS

 

In a groundbreaking announcement, the International Writers Association (IWA) officially commences operations, marking the beginning of a new era in the world of literature and creative expression. The declaration was made by IWA President, Wole Adedoyin, in a press release that underscores the organization's commitment to fostering a global community of writers and promoting the diverse voices that enrich the literary landscape.

The International Writers Association emerges as a dynamic platform dedicated to uniting writers from all corners of the globe. With a mission to celebrate and amplify the voices of storytellers worldwide, the association pledges to provide a supportive environment for writers of all genres and backgrounds. IWA President, Wole Adedoyin, expressed his enthusiasm about the organization's potential to serve as a catalyst for literary excellence, saying, "The IWA is poised to become a hub for creativity, collaboration, and cultural exchange, fostering a global network of writers who can inspire and uplift one another."

One of the primary objectives of the International Writers Association is to promote cross-cultural understanding through the power of written expression. By facilitating interactions among writers from diverse linguistic, cultural, and regional backgrounds, the IWA aims to create a space where the universal language of storytelling transcends borders. In his statement, Wole Adedoyin emphasized, "Our organization is not just about words on paper; it's about building bridges of understanding between people of different cultures and backgrounds, using literature as the common thread."

To achieve its ambitious goals, the International Writers Association has outlined a comprehensive set of programs and initiatives. These include literary festivals, writing workshops, collaborative projects, and publications that showcase the rich tapestry of global narratives. The IWA invites writers, both established and emerging, to participate actively in these initiatives, fostering a sense of community and camaraderie among literary enthusiasts worldwide.

In addition to its focus on cultural exchange, the International Writers Association is dedicated to championing the rights and interests of writers. The association plans to establish partnerships with organizations advocating for the freedom of expression and supporting writers facing challenges in their pursuit of literary excellence. Wole Adedoyin emphasized the IWA's commitment to creating an inclusive and empowering environment, stating, "We stand firmly in support of writers everywhere, ensuring they have the resources and opportunities needed to flourish in their craft."

As the International Writers Association takes its first steps towards global prominence, it invites writers, readers, and literary enthusiasts to join in this literary journey. The association's website, social media channels, and upcoming events will serve as platforms for engagement and collaboration. The IWA is set to become a beacon for those passionate about the written word, providing a space where creativity knows no bounds and where writers from diverse backgrounds come together to create a more interconnected and harmonious world. For further enquiry, send your mail to internationalwritersassociatio@gmail.com.